Why XONE appreciates the musicianship of John Myung

Back in 2004, XONE was looking for a bassist. Most wanted ads for musicians are a couple of lines and typically pretty vague. The ad for a band named XONE was highly specific and lasted several paragraphs (which I won’t bore you with), but what stood out from many other bands listing metal and progressive influences (o.k. so there weren’t many) was that it cited a little known bassist at the time John Myung. Numerous bassists tried out for XONE and many of them came in stating that they listened to Geddy Lee or Steve Harris, but only one, the current bassist, understood and was attracted to Myung’s understated but unique style. So what is the special connection that XONE has with the musicianship of John Myung?

It was actually stated in the original ad, “We’re looking for a melodic bassist…” And that’s really the core of what makes John Myung’s playing memorable. For those of you not familiar with John Myung, he is the long-time bassist for Dream Theater, a progressive fusion band that mixes rock, metal, and jazz with progressive elements.

John’s role has been to bring a classically trained background into the realm of progressive metal bass playing. What this means is that the bass is utilized for more than just root notes (which is the typical rock style), rather it focuses on counterpoint melodies that are a close cousin to the rhythmic or melodic lead often played by certain guitarists including John Petrucci. Myung’s style is often understated and can be overshadowed a bit in such a musically strong and at times overwhelmingly shredding Dream Theater. However, it is very clear that Myung is more than just the glue for the band, and he has the ability to express clear musical intension and passion which is most eloquently shown on his 6 string bass in songs like Metropolis Part II or on the Chapman stick in songs such as Take Away My Pain.

XONE songs that express elements of Myung’s influence on the band include portions of Mastermind, Change in Time, 4th Dimension and others. Also, Myung’s intensive work ethic (often practicing 8 or more hours every day) influences us to work harder and push to improve our sound with every rehearsal we do.